2009-08-15 - Merriweather Post Pavilion, Columbia, MD

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Lane H. Jost date Sun, Aug 16, 2009 at 10:24 AM subject 8/15/09 Merriweather Review Daniel, Here you go: 8/15/09 Merriweather Post Pavilion Columbia, MD I: Crowd Control, Kill Devil Falls, The Sloth, Beauty of a Broken Heart, Axilla I, Foam, Esther, Ha Ha Ha, Party Time#, Tube, Stealing Time from the Faulty Plan, Strange Design, Time Turns Elastic II: Tweezer > Taste, Alaska, Let Me Lie, 46 Days > Jam > Oh! Sweet Nuthin' > Harry Hood E: Good Times Bad Times, Tweezer Reprise #"World Premiere" Last night's sultry experience in the Baltimore suburbs was my first gig of "Phish 3.0" and my 48th since 1992. I was no doubt excited to see the boys again, as my last show was 6/17/04 in Brooklyn, though lingering questions remained as to what sort of band would emerge. Having listened to a few of the first leg's shows, I had been particularly enjoying the new material. Now on to the show at Merriweather, where it seemed the kind folks at the 930 Club had sold easily 3,000 more lawn tickets than normally alloted. Still, the ticketless hordes were everywhere, and I heard scalpers attempting to get $300 for pavilion seats -- yikes! On my way in I shook hands with Tom Marshall, who was innocuously picking up his tickets at will call. I asked him if an on stage appearance was imminent, and he responded with "If they want me to." No such luck. I walked into the venue during the middle section of "Crowd Control" on account of a buddy arriving late. The song wasn't immediately recognizable, as I find Undermind to be a fairly forgettable record, but Trey's shit-eating grin was in abundance, so I was immediately taken over with a few goosebumps. A quirky bustout for an opener, which set the tone for easily the most bizarre setlist I have heard at a Phish show. Sadly, I was resigned to the aforementioned teeming lawn which was nearly impossible to even enter -- from the highest elevations! I've never been a fan of Merriweather and last night it showed its true queasy colors. The sound from the lawn was faint, which essentially made the music an ambient addition to a cocktail party. So, I won't comment on the first set other then to say "Sloth" "Esther" and "Foam" were wonderful to here, and sounded solid from my vantage point. The most fiery moments were "Stealing Time" and "Kill Devil Falls" which I think are superb rockers. The band was having fun. I thought "Time Turns Elastic" closed a strange first set well. And the "world premiere" of Fish's "Party Time" was hilarious. Trey was very chatty all night and could not dispense with the small as he introduced the song. It's basically a simple funk groove with New Orleans syncopation and an ad nauseum vamp -- yes, "Party Time." By virtue of an enterprising friend, I found myself 20 rows back in front of the soundboard for set 2 -- my night had just begun. The band returned from a very short intermission and immediately broke into "Tweezer." This was a great start after a song-oriented, choppy set 1. And I thought this tight, concise version was excellent. All four guys were locked in and the jam did not depart at all from the mode, but it was certainly nice to hear a direct and fiery "Tweezer." The segue into "Taste" was smooth, and I thought "Taste" probably outshone the brief "Tweezer." I enjoyed "Alaska" very much, though it returned set 2 to the flow of set 1 -- choppy and bizarre. "Let Me Lie" is a pretty ballad and Trey's voice sounded great here (as did everyone's all night), but the placement was peculiar. I thought after all the new material and strange breakouts we would surely get a mid-set "Mike's Groove," but "46 Days" emerged and it was played admirably. A tight, rock and roll style that stayed on two chords for most of the jam. "46 Days" was really the only true improvisational exploration all night, and it was very interesting and melodic. I will definitely enjoy giving it a few listens on livephish. Trey leaned over to Page then at Mike, and they segued smoothly into the Velvet Underground anthem, "Oh! Sweet Nuthin'". Page sang souls here and the whole band absolutely nailed this arena rock ballad. A peak of the night for sure. Fish's reggae drum intro to "Harry Hood" flowed out of "Sweet Nuthin" and the band performed on of its oldest and most beloved soaring pieces. I found this Harry to be solid, with very few Trey flubs and excellent work by Mike, who again, was dialed in all night. Nothing new or overtly memorable here, just a gorgeous, face-melting piece of art rock. The band returned quickly and hit the power chords to the Zeppelin classic. The crowd exploded, as did I. I haven't heard a "Good Times Bad Times" since the late 1990s. Trey absolutely shredded the solos and Page sounded incendiary. An exceptional performance, and one I hope they keep in the rotation, as it's yet another example of Phish owning a cover. The inevitable, yet no less exhilarating "Tweezer Reprise" closed the show, and Trey was doing the kick dance he used to do nearly every show back in the 1990s. I had a hell of a time seeing the band--particularly Trey and Page--enjoy themselves at Merriweather. The peculiar first set didn't take anything away from what was an infectiously high energy performance. Check out the "46 Days > "Nuthin", as well as the "Time Turns" for exceptional performances. But if you like songs, do download this gig as there's a lot of well performed music to listen to here. My $0.02. Cheers, Lj
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